Reflections on "Free Someone" at Project Row Houses

Houston’s always had a thing for raw creativity, and Round 58: Free Someone at Project Row Houses (PRH) truly amplified that energy. This powerful exhibition plunged into Houston’s vibrant graffiti culture, shining a light on artists who’ve transformed the city into their canvas while navigating the intricate balance between public art and public permission.

The opening on March 8th was absolutely electric. The block buzzed with excitement and appreciation for the artists who have visually shaped the city, all while contending with media scrutiny, law enforcement, and the ongoing debate surrounding the definition of graffiti. From monumental murals to complex court cases and insightful documentary films, Free Someone unraveled the narrative of Houston graffiti through the very people who lived it. It was an honor to share the space with legends like GONZO247, Phillip O. Perez (Article), Lee Washington (Theonelee), Erik Del Rio (Colors Oner), Iris Karami, Craig “BBC” Long, and Chandrika Metivier. Each artist brought their authentic experiences and artistic expressions to the forefront, holding nothing back.

For this round, I pulled out some special gems from my collection—pieces that told my unique story within this wild spray game. Being part of such a distinguished lineup of Houston’s heavy hitters was, truly, an honor. The camaraderie and shared history among us were palpable.

But Free Someone was about more than just the art; it was about liberating the creative spirit within us all. And that spirit was definitely in the air. DJs kept the beats flowing, live painters adorned the block with fresh colors, and vendors brought even more vibrancy to the scene. It wasn’t just an exhibit—it was a full-fledged movement. The energy was unforgettable.

One of the most iconic pieces that deeply inspired this round was “BE SOMEONE.” If you’ve ever driven down I-45, you’ve undoubtedly seen it. It’s more than just paint; it’s a profound statement that sparks reflection on who controls public spaces and whose voices are truly heard. This exhibition fearlessly engaged in that crucial conversation, inviting visitors to step in and confront those tough questions for themselves.

While the exhibition at Project Row Houses has concluded, the impact and the conversations it sparked will certainly last. We left our mark in a way that sticks, and I’m incredibly grateful to have been a part of this powerful experience. Keep an eye out—there’s more behind-the-scenes heat coming your way. This was more than just art; it was a powerful call to action.

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